Here's the piece on IMSLP if you want to have a go. Turns out, it is all about the illusion of difficult passages, thankfully. The Concerto for Two Cellos in G minor, RV 531 is one of Antonio Vivaldi’s most intensely dramatic and convention-defying works. You'll see why from the video below, hopefully! Those ornamentations are swoon :} This prompted Deryn to bring out the Vivaldi concerto which didn't even occur to me to consider playing. I brought in the sheet music for Deryn and we played it through, even tackling fingering for the treble clef bits that I've been struggling with, with optimum results. ![]() I'm actively looking for cello duets to play with my sister and one of our favorite pieces to play is Shostakovich's Preludium from 5 pieces for 2 violins transposed for cello. I hope they do this every year but all around the country, not just London. Wish I was able to attend his shows at the Cello Unwrapped Festival! This cello focused year-long festival sounds insanely unmissable but sadly, all the way in London. Music notes for score and parts sheet music by Antonio Vivaldi (1678-1741): Santino Cara at Sheet Music Plus. ![]() This recent piece by David Watkin on the art of continuo playing echoes my thoughts about this. Print and Download Vivaldi - Double Cello Concerto In G Minor RV531 For Two Cellos, Strings And Cembalo sheet music. Antonio Vivaldi composed three settings of the Dixit Dominus (The Lord said unto my Lord), the Latin version of Psalm 110. Deryn was in the school of always using a music stand, much like the quote above. When you play a sonata for cello and piano from memory, he said, you change the listener’s perception from ‘chamber music’ into ‘soloist plus accompaniment’." ~ David Watkin, The Art of Continuo.ĭeryn spoke about this briefly when we discussed the relationships of accompanying mucisians. ![]() ![]() " When playing cello sonatas, my teacher William Pleeth used to insist that you use a music stand, even if it was empty.
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